Scott analyzes how technology can make previously profound experiences feel cheap and commonplace, using examples from medieval art to AI-generated images, while suggesting that maintaining wonder is still possible through individual effort. Longer summary

Scott explores the concept of semantic apocalypse - how technological progress can cheapen previously profound experiences - through three connected narratives. He starts with the medieval use of ultramarine blue for painting the Virgin Mary's coat, then discusses Erik Hoel's concerns about AI art cheapening Studio Ghibli's work, and finally examines this pattern throughout history. The post suggests that while this loss of wonder is real, it might be more about personal perception than technology itself, citing Chesterton's and Blake's ability to maintain wonder despite familiarity. The piece concludes that maintaining childlike wonder is possible and valuable, even in an age of abundant AI-generated art. Shorter summary