A detailed review of Islamic geometric patterns in The Metropolitan Museum of Art's Moroccan Court, analyzing both the flaws in modern recreations and the underlying mathematical principles of authentic pattern construction. Longer summary

This book review contest entry examines Islamic geometric patterns found in The Metropolitan Museum of Art's Moroccan Court, particularly focusing on a set of wooden doors that contain noticeable imperfections in their geometric designs. The author explains the traditional rules and principles of Islamic geometric patterns, demonstrating how proper patterns are constructed using a polygonal technique, and contrasts this with modern attempts that often fall short. Through detailed analysis of several examples in the Met's collection, including both historical pieces and modern recreations, the author explores how the loss of traditional artistic knowledge manifests in subtle ways. The piece concludes with reflections on the nature of artistic creation and the gap between creator and observer understanding. Shorter summary