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Scott argues that aesthetic discussions wrongly conflate sensory delight with novelty and context, and that modern art's obsession with being part of a historical conversation has led to the abandonment of beauty in favor of mechanical innovation.
The review analyzes Ernst Jünger's 'On the Marble Cliffs' as a beautifully written allegory of Nazi Germany that offers advice on surviving totalitarianism through appreciation of beauty.
Scott explores the connection between the Dark Room Problem in neuroscience, meditative jhanas, and theories of beauty, suggesting that intense focus on regular stimuli can produce extreme bliss.
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